I program Chamber Of Terror, a new vision of Scream

Many of you surely have been listening and our Board Of Terror in this first program dedicated to the movie Scream. With the collaboration of three such as Mikel Navarro Tertuliano, Antonio Marchena and Sergio Morcillo discussing this classic of terror directed by Wes Craven. Now we offer you, as I commented a few days ago, a change that will suffer all our content that we hope for the better. Within our TV will include both work in the Audio Video as a very special assembly. In this respect we show you a few days the release of our first TV program Fear and today we offer you the TV version of our first Chamber Of Terror. Disfrutadla and let your opinion on this article ... ..

New Changes In Terror And Nothing More

Dear visitors dark, during these three days of bridge we've included some changes in our / your site that we hope always to the benefit both of us as you:

1) Ads By Google:

Indeed, with the sole intention of obtaining some revenue to be minimal for the maintenance and improvement of services that we offer in this web site we have located and discreet little annoying advertising from Google. The places where you can find such advertising is on the side panel of the blog down altogether after the file and when to enter in an article from the article and the comments area. As you can see are little areas like annoying and who knows there is something you see and you are interested.

How can you help us?

It is very simple if you see in advertising any topic that interests you do click on the ad and click that will provide us with a minimum income that will help us to continue offering the best terror to our visitors, listeners and viewers. The rest is logical because the more clicks will have more income and more improvements and services can integrate into the web.

2) New Banners In The side panels of the Blog:

We've added two spectacular banners on the side panel for subscription channels to our Itunes Audiocreaciones of our program and the ninth floor. In this way is clearer and quicker to spot for those who want to enjoy our content in iTunes or on your iPod and iPhone.

3) New on our TV:

In order to enhance our TV as the media center of terror more powerful and varied network from now we'll gradually cover the whole content of our web both Audio and Video in our TV bringing into it may be getting all sorts of content without having to go anywhere else. As an example of the integration of our TV audio on your left below our first program with the story Fear of terror La De La Torre you can enjoy a very special ... ...

Frankenstein (1910)

As I imagine you and if not what you said, the arrival of our new TV will mean changes to the time to see the contents without having to leave our website (as it did not before). Let's build our newly born with TV issue in our / your TV for a new movie in the public domain. On this occasion we have the honor of designing another clasicazo and rare molting version of Frankenstein. A real gem that you can enjoy in our TV both live and in On Demand (TV on Demand). As always this movie is in the public domain with a Creative Commons license as outlined in Article of the Internet Archive you have here. Do not forget to leave your comments about the movie in the chat on our TV. A benefit of Terror on Terror and Nothing More ... ..

Nothing More Terror and TV like never before you saw it

After several tests, looking for the player and the ideal format for our TV, at last we have found (that we believe and hope) and at this moment what you are presenting. Commentators who this player is placed on the side panel of our website but you at the show this article for you familiarizeis with. We're going to explain the most common functions:

- When we go to press player enecender To Turn On the TV and start the show.

- The first thing you see nothing but turn on the TV is a broadcast Live, that is, the programming our TV Direct TV just like any other.

- But what happens if we do not like what they are putting on TV at that time? We can press the button "On Demand" and will have TV on demand, will see the content available and can see that the more you enjoy it.

- With the button "Full Screen" will see the contents of the TV either live or on demand in full screen.

- This TV has also incorporated a chat where you can comment on what you are watching or talking about what they want with visitors to the TV.

- This is the basic controls of the new player I can only hope that you enjoy the change and improvement and enjoy it with us.

Below are some of our player on TV from now on:

Interview by Ricardo Andres Islands Pons

We continue today with an interview of our partner Andres Pons manager at the Uruguayan Ricardo Islands. Which begins the interview:

Uruguay is a country not too well known to the genre of horror, sometimes a single man moves mountains and Ricardo Islands is already a landmark not only in his country if not one of the great film gives a very low budget straight to DVD.

Vampires, wolf men and liters of blood adorn a filmography which also allows social criticism in the midst of his killing.

AP: How did the world of cinema?

RI:
When he was 13 years wrote a script half-hour titled Possession, The Exorcist wave on a smaller scale but rather smaller scale ... ... I took him to the local TV station and ordered me to plant BONATO.
I returned with the same script when it was much older (16 years) and just ended the dictatorship, everybody was in a sort of Disney film in my country, so I told the channel: if conseguís about ten warning, you do the film. Okay, got 20 warning and made me the film. The protagonicé and addressed, (they said no mu ... nor was the end of the dictatorship, everyone was happy and flexible) ... The movie was filmed during the summer of 1985 and aired on March 20, 1986 ... around the world The watched because it was something rare and local ... Hence forward, was one film after another until today.

AP: Are you an actor, director, producer and director of course How can combine everything?

RI:
With much aware egocentrism. The fact that it is aware that aid is not stupid. I am a writer first, second actor, director and producer to the final third. The post of actor and writer will compete first in the list. Egocentrism versus creative spirit ... an ambivalent mixture of shit. Directing is a pleasant headache, but if I had a good director (or director, always work better with women than with men) at my side, maybe I just devoted to writing and acting. And I am a producer by necessity. Basically, I like being with my own sketches clown ... but as I found no circus, I put together the tent.

AP: I think I work in the U.S. How about experience?

RI:
The film is the film anywhere. I work in the U.S. has opened doors that did not have in South America, but at the same time there are restrictions that are related to the utilitarianism of a commercial corporation, I'm not governed in Uruguay.

AP: What do you think of the current terror?

RI:
It's like in neutral. There have been times and worst times of course much better. Is doing that lack good scripts and once you get to the place that CGI should have, or reinforce a story and not be a substitute for it.

AP: Do you which of their work is most proud of?

RI: I suppose that To Kill a Killer is one of my best films.

AP: How often by shooting a film?

RI:
Between fifteen and twenty days.

AP: What horror films you have left their mark?

RI:
The Exorcist, Amytiville, The Omen, Halloween, Dracula Langella ... The Glow.

AP: How do I get financing and distribution for a film so hard to sell?

RI:
More than anything by private investors who are hooked with my scripts.

AP: Would you be willing to produce other people?

RI:
For now, I doubt it. I get enough work to produce what I like ...

AP: What elements must have for you a good horror movie?

RI:
A well-told story and characters believable. If we do not believe in the characters, we no longer matter what happens to them and therefore you lose respect for the monster. It was fucked the party as they say ...

AP: Premiered at some point in cinemas?

RI:
Yes, here and in Uruguay. It feels very good to be there and be able to assess people's reactions compared to the big screen. Everything multiplies and contagious. For better or for worse.

AP: What is the biggest budget that could enjoy? What was your film cheaper?

RI:
The biggest is probably that I'm filming now: Macumba. Yet you can say that, because we are still spending ... he he
And the cheaper it is to have been any of those produced in Uruguay. I never got to spend more than a thousand dollars in my first films.

AP: What do you think of the Spanish terror?

RI:
I have not seen enough. Stories I liked to sleep ... There was not a very good chapter of vampires with Charo Lopez based on a story by Dostoievky. Well, Amenabar is good, too.

AP: Tell us about your upcoming projects

RI:
Probably a series on Macumba, on the axis characters from the movie that I'm rolling now. It will be like a sort of Latin Kolchak.

AP: Thank you for your time and wish him the best

RI: Likewise.

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